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This is also where a key was bent, making the rod very difficult to unscrew and pull out. Still stripped down I first took off all the keys, which was a bit of a struggle as the whole upper stack and top side key is all attached to a single long rod in a somewhat complex overlapping configuration, so I had to pay careful attention to the order of how the keys went together. Replace various other bumper corks and felts.The things I needed to do to overhaul the instrument were: Repairing that is beyond my humble abilities, so I’ve left them. There are some small dings in the body, but nothing major. There’s no neckstrap hook, but a place on the back where it looks like one may have been at one point but became unsoldered and come (or taken) off. It was blocking the pad immediately above it from opening, so had to be adjusted. The thumb hook looks like it’s a replacement just a piece of metal soldered on and bent to a curve.
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The original pads used a rivet resonator for all larger than 15mm, except for the lowest 4 pinky-key pads (C#-Bb), which have a screw-on flat resonator (which I didn’t entirely realize until I was taking it off more on that later). No front high F, a “nail file” G#, and the rest of the left hand pinky keys inline.
Rampone cazzani serial numbers serial number#
Cazzani, Ditte Riunite circular logo, serial number 4xxx (haven’t been able to determine the year it was built yet). Copper wash on the inside of bell The saxophone is a one-piece straight silver soprano with a copper wash on the inside of the bell, by A. The thought to write a post about this process only occurred to me after I started, and even then I didn’t do a very good job of photo documenting it, but here’s what I’ve got.
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I have some basic repair skills and take care of basic pad, cork, and felt replacement and adjustments on my horns, and have done a full strip down, repad, and polish of a metal clarinet once, but have never undertaken a full restoration of a saxophone before. Every pad (pretty sure they were all original) and most corks needed replacing, some keys and rods were bent, and the whole thing needed a good polishing. It had been in someone’s grandmother’s attic, without a case, for who knows how long and was in quite a state of disrepair. The Solista were made in the golden era of the R&C prior their first serious crisis in 1957.Ī few months ago I acquired a vintage silver Rampone soprano saxophone. A beautiful saxophone that is considered to be, by Rampone & Cazzani themselves, one of the pinnacles of their manufacture at the time these were made. Sequentially, the next model I came across was in the 9000 range: you will now notice that the bell to brace.